The Ship Sails, Fellini

The punctuate combines circus music, emerge songs, and sad lyrical sounds of accordions, saxophones and trumpets as we journey done Italy. The music is also important where character development is concerned. For example, when he learns to play his trade-mark song on the trumpet, Gelsomina is very proud of Zampano. Further, Zampano teaches Gelsomina a tune that ends with a harsh trumpet squawk. This is significant because hitherto though Zampano is not aware of his love for Gelsomina, the music they make out does bring them closer together. Many have commented that Gelsomina is to represent the metaphysical (soul) and Zampano is to represent the physic

l (body).

Fellini's style of filmmaking is more like painting than conventional film and this score by Rota helps merge their two symbolic characterizations as a lot as it does man caught between heaven and earth, a characteristic Fellini preoccupation.

In The Ship Sails, Fellini begins the film with all the colorful characterizations of La Strada. A luxury liner sails from Italy in the early twentieth century with the ashes of a famous opera singer in tow. The passengers consist of the opera singer's (Tetua) friends, other opera singers, actors and a alteration of exotic types. After a few days into their trip, the mutant appears to abate when the captain must pick up a group of Serbian refugees who are the victims
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