To His Mistress Objecting To Him Neither Toying Or Talking

As he tells her, "By fuck's religion, I must here confess it, / The most I love when I the least express it" (Herrick 1). We see how advanced the poem's content is, with respect to sexuality differences in emotional expression. As Landrum (181) asserts, "Herrick recognized the ambiguities of gender and the inconsistencies of his era's beliefs pertaining to women and disrupted and interrogated them." In this poem, Harrick parodies the conventional smell that women are weak emotionally and men are tender, since it is the virile who has crafted a love protestation poem to his beloved, insecure everyplace her perception of him and his commitment.

Herrick also relies on concrete language that evokes strong imagery in the poem and symbolizes the loudspeaker system's method of conveying his strongest emotions. The speaker once more tries to prove that his silence and deprivation of flirting with his love is not a sign of a lack of love. In order to achieve this, Herrick relies on personification and symbolic representation by creating a fable in nature to expatiate the speaker's claims to his beloved. The speaker tells his beloved, "Deep waters noiseless are; and this we know, / That animadversion streams betray small perspicacity below, / So when love is silent is, she doth express / A depth in love and that depth bottomless" (Herrick 1). We see Herrick uses personification, giving both the stream and love human features like the ability to chide and calling

Herrick, Robert. "To His Mistress Objecting To Him Neither Toying Or Talking," 1891. 26 Oct. 2004 .

Taylor, Walter Fuller. "The Humanism of Robert Herrick." American Literature 28.3 (1956): 287-301.

It is readily apparent that finished the use of a number of poetic devices from personification and metaphor to rhyme and alliteration that Robert Herrick is able to reinforce the purpose, theme and cantillate of his poem that men express their emotions about love otherwise than women. In so doing, the author parodies this conventional belief regarding gender because it is actually a male who has fixd this sensitive and emotional poem as an expression of his great love for his beloved.

Herrick also resorts to consonance and alliteration in the poem, particularly in the last stanza, where the "s" sound is continually repeated. As Herrick (1) writes, "Now, since my love is tongueless, know me much(prenominal) / Who speak but little 'cause I love so much." In this sense, we get an "ssssss" sound or repetition when indication the line, something that mirrors the sound of a kiss. Using this device Herrick has been able to create
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